|
 Malla's
parents lived in Kalisz, Poland where her father was the unofficial
spokesman of the Jewish community in the 1920s. In order to be granted
permission to establish another Community bank many documents had to be
completed and sent to Warsaw. All the long, drawn-out official
correspondence, communicated over a period of several years, was written
by Malla's mother Trina Lubinsky Blumenkrantz (1890-1952), who had a
lovely handwriting. She had learned Hebrew and Yiddish in the home, but
was taught how to write Polish, Russian, and German in the secular
school system. She also was gifted in drawing, and Malla remembers her
romantic illustrations of ladies with large hats.
The
ba nk finally was established by 1930, and
the Jewish Community wanted Rabbi Blumenkrantz as its president, but he
recognized the impending doom of Polish Jewry and planned to move his family to
safety. The community did not want him to go, so in 1931 when he did leave, he
had to do so by night, taking the train from the next town's station. He found
work in Switzerland and gradually the whole family joined him there. At that
time Malla was a young child. She grew up in Lucerne, where she eventually
studied graphic arts at the city's Kunstgewerbeschule. There she studied
calligraphy with Max von Moos, who conveyed his love of lettering to his
students. Erich Muller taught and inspired her in drawing. In 1949 Malla was the
first woman to be awarded a diploma from the school.
After graduating she left for Israel; before
freelancing from 1950 to 1957, Malla worked for a few months for the Tel Aviv
design firm, Rothschild and Lippman (the latter, coincidentally the one which
produced the ample scripts for the old standard beginner's Hebrew calligraphy
book by F L Toby, The Art of Hebrew Lettering). Mall then married and
moved to Chicago, where, in the 1960s, she took courses in life drawing at the
Chicago Art Institute. During that time she did no professional or personal
artwork, except to teach her children weaving, painting, and how to make
linocuts.
In 1969 the family, with three children, settled in Israel. Her first
calligraphic work was the invitation for her son Raphael's
bar Mitzvah in 1976. After that commissions followed, and Malla hasn't
stopped writing and drawing since. Her specialty is the Bible in art and
lettering. In her works on parchment she often includes the landscape of
Jerusalem, portraits of family and neighbors , or the interesting faces of
strangers she sees at the bus stop, whom she invites home to model. Her drawings
are always from life - even flowers on Ketubot, marriage documents, are freshly
picked to serve as models. Malla's first major exhibit was in 1977 in Amsterdam,
followed in 1981 by an exhibition at the Rijksmuseums's Meermanno-Westreenianum
(Rare Book and Manuscript Department) in the Hague; in 1982 at the
Plantin-Moretus Museum in Antwerp; and in the 1984 Fordham University in Lincoln
Center, New York. She has also had several exhibitions in Israel.
Written by Leila Avrin
This information was written, published and compiled by Atarah Gur and
kabbalahtorah.com
Copyright © 2007Atarah C. Gur
|
